Thursday, November 15, 2012

Ranka Lee Costume Process


For Youmacon this year I dressed up as Ranka Lee from Macross Frontier (second movie). Not counting any casual cosplays, Ranka is the eight-ish character I’ve done since the pass 3-4 years. Despite the time, I’m still an amateur cosplayer in all aspects.

Photo by DistractingShotImages

Since Ranka is a pop idol, I chose to recreate her performance outfit from satin because it gives off a matte sheen and looks fancy. I really liked the orange satin used for the skirt and bow. The material had a nice thickness to it and responses well with ironing (though it does melt if the iron is too hot, more on that later). It’s also not overly shiny to the point it looks cheap. It was priced 7.99 per yard.



The perfect yellow fabric, however, was harder to acquire. The original color treads the line between yellow and off-white and I could not find a fabric that would work for it without either being too yellow or being too close to white. In the end, I decided to get a yellow satin (a level above costume-satin IMHO but was still $5.99 per yard) and a white sheer fabric that is commonly used for wedding veils. The yellow fabric frays easier compared to the orange and is less responsive to ironing. It was also a lot shinier, which isn’t a good thing for conventions when some people use flash photography. The sheer off-white overlay helped combat the shininess of the yellow somewhat though it didn’t do much to add to the thinness of the material. I wasn’t a big fan of using the veil fabric, though, because it is a pain to pin and cut. It cost the same as the orange fabric.



The basic tube top with the orange ribbon stripes took about 4 hrs to make. The flappy thing took another 2 hrs to make and attach. I decided to attach the thing from the inside of the top and flip it over because it was an easier way to create a ruffle effect. The ruffles are probably the most frustrating thing about this costume because it requires so much fabric and effort to create. I think I spent half the time pinning and unpinning ruffles together. Ruffles, as you can tell, are not my strong points. 




The shoulder straps took approximately 2.5 hrs. It wouldn’t have taken so long if I didn’t separate the white and yellow fabric, thus creating two hems instead of just one. I got the desired effect but it wasn’t as significant in photos. I was afraid that the top was too tight to slip over my shoulders with the straps attached so I added some a button on either side like overalls. The attachment plus the addition of the buttons and button holes took another 2 hours.





Due to the fabrics’ inability to stretch, the top looked a bit blocky and unshapely. I try to counter that by adding elastic bands around the waist. It only made the top more dumpy and unflattering. The unevenness of the bands from either side made the matter worse. So I basically wasted 3 hours attaching and detaching the elastic. I did end up attaching more elastic bands to the top but they more hidden and less significant.




Figuring out how to make the sleeves and the actual process of making them took a combination of 5 hours. The length of the fabric was 3 times the circumference of my upper arm to create poofy-ness. I used elastic to create the scrunching on the top part and a ribbon to create the scrunching under the poof, via tying. I had to make individual hems for the yellow and white fabric to give a similar effect as the straps, though it didn’t really matter since the camera didn’t pick it up. The most tedious part about this was stuffing the elastic and ribbon through the hole to the other side. The ribbon took at least 45 minutes to string through and the flimsy nature of the ribbon did not help. For the second sleeve, I ended up sewing the fabric tunnel (no idea what the actual term for it is) over the ribbon to save time.






The orange base of the skirt was the first thing I started on, actually, before the top and it took 5 hours to make. I did not use enough fabric for it and it was a little late by the time I realized. I did add another chunk to the back of the skirt but it didn’t do much except make the back look more ruffly. I employ the same strategy of overlaying a yellow ribbon with a sheer off-white one for the stripe on the skirt. While making the yellow skirt underneath, I realized that I didn’t have enough fabric so I went back to the store to get some. It was a week before Halloween and there was little fabric lying around in the store. Lucky for me, a really nice lady working there went to the back to retrieve more of the yellow that I needed. She was really awesome because the rest of the employees would just tell me that they are out and won’t bother to look in the back for more. I didn’t need the sheer white fabric because it is about a foot longer per yard compare to the yellow one. After learning my lesson, I used two-times as much fabric for the underskirt compared to the orange over skirt to give the whole thing more volume. I tried wearing petticoats with it but I looks like a pumpkin muffin.

front of skirt

back of skirt


with petticoat = pumpkin muffin

The big bow in the back was one of the faster things to make. It did require more fabric than I had previously estimated but it took a lot less sewing to get the results. I added some interface inside the bow to make it more stiff and less flimsy. There was a lot of gluing involved. While ironing the fabric to make the bow, I accidentally melt the fabric. Maybe the iron was too hot or I left it on the material for too long. The great thing is that the mistake did not show through the other (visible) side of the fabric. For the small bow in the front, I sewed together several strips of ribbon to get the desired width. The store did not sell the ribbon color I needed wider than ¾ of an inch. I prefer it this way because it looks kinda cool. The gem in the middle was sew and glue on at the trip to the convention since I ran out of time. Both of these bows are pinned on the skirt with safety pins.

It melted!





The stockings were bought awhile back from Leg Avenue. I just took the bows off and safety pin the orange ribbon on. I got the Oxford shoes last minute through luck. My sensei had a coupon for 30% off and I was able to get them for under $20. Before that, I had a totally different idea for the shoes and it would have been very uncomfortable. The heels are about 1 to 1.5 inch. They were originally black but sensei sprayed them with some red leather paint she had. The bows were then added to give a finishing touch. The ribbon cuffs were made in the hotel room at the con. Probably took me 5 minutes with glue gun and velcro.





Not including the wig, which I borrowed from an awesome, awesome gal, and the leather paint, the whole outfit cost about $80 to make, with the help of sales and coupons, and a whole lot of time (I did not count all the time I ended up wasting from undoing many stupid mistakes). Despite that, I did really enjoy making this costume.

photo by Li Long Xiao

I had a photo shoot with some of my friends as characters from Macross Frontier but they are all still being edit by the photographer.

Monday, March 26, 2012

Phallic Symbol

TV Show: RuPaul Drag Race season 4
Food: Leftovers from Chinese takeout
Project: Storyboard for the Blind Swordress mini series

While editing a photo I took the other day at the Chicago Botanic Garden, I noticed that the branches and the flowers forms a shape that looks a lot like a small penis. Maybe it's just the juvenile side of me but I seriously think it does. And now I can't unsee it.


What surprises me is that this one really perverted guy I know couldn't see it but most of my female friends can spot it right away. Maybe guys just don't see dicks at that level. I should kick myself for that comment.

Saturday, March 17, 2012

Cafe scene at Cosi

Artist: Yoko Furusho
Music: International music found typically in cafes

This week we have some freakishly nice weather in Chicago (seriously, it should still be snowing right now; it's almost as weird as when it hailed in late June). So I took advance of the weather and went out to downtown to relax with my friends, get some fresh air, fill out job apps, write resume and cover letters... the usual.

On Monday, Amy and I went to Cosi, a cafe franchise, down on Michigan Ave and across from the Art Institute Museum. While she was submitting paperwork and being productive, I took out a crappy "watercolor" pad and started to draw the scene in the cafe (I guess I was being productive too in a way). I continued the piece once I return home and finished it in the middle of the night and the next morning with little sleep. Here are the results:


I didn't like the finish results that much, especially the zombie guy on the left of the piece and the monster tree in the background...and the awkward oval table to a certain degree. They throw the composition off. I scanned the image and messed with crop.


The picture looks odd to me at first because I am not quite use to the square composition(?) but it already looks a lot better with zombie boy out of the picture (sorry, zombie boy).


I crop another chunk to make the image more rectangular; however, it looks a little bottom heavy after this edit since all of the people are situated on the bottom half of the picture. And maybe I should have left the zombie guy in this picture but remove bit of the chair. Never really occur to me until now.


I decide to balance this by cropping the top but according to my friends this crop took off some of the interesting elements in the pieces, ie: the angles of the door frame.

Right now, I am leaning towards the square crop. Feel bad that zombie boy can't join us but he's in his first stage of decomposition and would probably like to be left alone anyways. The pattern for this piece is inspired by illustrative works of Yoko Furusho. She is amazing.

Sunday, March 4, 2012

6teen

Music: Haunting for Witches by Bloc Party
TV Show: 6teen
Addiction: Words with Friends (on facebook)

As of lately, Western animation has been a disappointment. With the exception of Avatar: The Last Airbender —which was created by Americans with the animation produced in South Korea— many (though not all) of the newer cartoons slacken in quality of their artwork. I understand that not everything has to be realistic or look a certain way; there’s nothing wrong with having a different artist style but the quality has definitely gone down a few notches since the 80’s and 90’s (even the early Y2K era). Where is the scenery porn or the fun details!? Why is everything drawn with the same line thickness? And when the style is more “realistic” the females always look so waif-like and emaciated with disproportionally large heads.

Avatar: The Official Sponsor of Scenery-porn


About a month ago, I began watching episodes of this Canadian animated sitcom, 6teen, and was thoroughly surprised and pleased by the style of the show. The show is created by Jennifer Pertsch and Tom McGillis, the same people who made the very popular Total Drama Island series. 6teen originally ran from 2004 to 2010 on the Teletoon network. The premise revolves around the lives of six teenagers, all sixteen (it's a pun within a pun!), and their part-time jobs in a mall not unlike the Eaton Centre in Toronto, Ontario. 


Looking back at it, they all look skinny with big heads too... hmm...


I was first introduced to 6teen around '08/'09 at a friend’s. The television was on in the background and the cartoon caught my attention halfway. It just so happens that the zombie episode "Dude of the Living Dead" was playing at the moment and zombie episodes are usually the best episode to start when first introduce to a new series (look at Community's "Epidemiology" for example). I didn't catch the name of the series at the time and have been meaning to watch the show since. Now that I’ve finished school, I can spend more time in "researching" cartoons, which is how I rediscovered the show.



The art of this animated series is unique in the fact that they eliminate the use of lines. It’s sorta like a more refine version of South Park (art-wise). Also, the viewer can easily differentiate the characters solely by their silhouette. The main characters consist of a pretty diverse cast as well. One thing that does bother me about it is that the characters, Caitlin (the blonde) in particular, have a tendency to buy the same outfit over and over again yet still acts like she made a whole new purchase and some of the male extras get recycled. But aside from that, the drawings are done nicely, albeit the hands are a bit blocky (I’m looking at you Jonesy), and colors are appealing. The storyline is alright. It’s a sitcom marketed towards tween and teens so what is there to expect. Every once in a while you’ll come across a continuity error and that gets annoying. Also, they have four seasons and celebrate Christmas at least three times but all the main characters stay 16 throughout the whole entire series. They do brush up on topics like diarrhea and wardrobe malfunction, which my inner child finds hilarious.


Blocky hands of DOOM!!! Also, is that Christopher Walken?

Why isn't this show more popular!?

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I am so bad at being consistent with my updates. Hope nobody has gotten a seizure or headaches from my background/layout. Also I have noticed that my title font looks like an emaciated version of Comic Sans. I should look into changing that or people will not take me seriously. >_> 


Disclaimer: I don't own any of the pictures. The links for the websites where they are found should be attached to the images themselves.